What is noteworthy about this sculpture is that is a prime example of Greek Hellenistic art and directly influenced the art of such artists as Michelangelo and Raphael. It was found in fragments and when Michelangelo was asked to reconstruct it, he declined saying his talents were less than those of it original creator. A contest was held to find an artist for the restoration and it was finally brought to it's present state by Venetian architect Jacopo Sansovino.
The ancient Laocoon exerted a potent aesthetic power on the artists of the High Renaissance. The rediscovery of the sculpture - which depicts a Trojan priest punished by the gods for warning his fellow countrymen about the Greek ruse of the Trojan horse - accelerated the rediscovery of the classical aesthetic. The Laocoon became a standard against which Renaissance art was judged, thereby establishing a canon of beauty that influenced the making of art for the next 400 years.
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